Hélène in Houston

I spoke with piano phenom Hélène Grimaud yesterday afternoon in Houston. We talked about her new Bach album, Brahms and colors in music.

Listen to our conversation: mp3 file

(Photo by Ernie Villareal)

Don't foget our converation at Carnegie Hall, or over the phone in Las Vegas.

Five Things about the Houston Symphony

I heard the Houston Symphony again tonight in Jones Hall. (Read about the premiere performance Thursday night, here at Sequenza21.)

1. Augusta Read Thomas spoke before the concert (see a video clip here) - showing some of the hand written score. There were lots of questions from the audience and good background about the work and Thomas' approach to composition.

2. Absolute Ocean's first movement is poetic and pointilistic. I heard strains of Copland in the music tonight, a flavor I didn't notice Thursday. There was a complete gaff in the supertitles - which I ignored even when they returned in the second movement - choosing to focus completely on the performance and music. Soprano Twyla Robinson' diction is such that you don't need the supertitles - and her voice is pure, passionate and pleasing.

3. The second movement, complete genius, was quicker and flowed with all of its humor, charm and brilliance. Ensemble was tight with the soloists and orchestra.

4. After a brief cadenza, the finale movement is touching and appropriately dramatic. Word painting without being banal certainly highlights the poetry with sublime music.

5. Mahler's Fourth Symphony is an ideal pairing for Absolute Ocean, and in particular, Twyla Robinson - she's busy for the first 20 minutes of Thomas' piece, then has a break until the finale of Mahler...also the dreamy score of Thomas leads beautifully to the heavenly view of Mahler. A completely satisfying program.

There is another performance of Absolute Ocean and Mahler's Fourth Symphony tomorrow afternoon at 2:30pm.

Absolute Math

From the preconcert talk, Augusta Read Thomas gives a great reason why 1+1 should not equal 2.

Job Search 1

In December I was a finalist (1 of 4) for KUHF's Director of Cultural Programming in Houston (market #6).

I spent a day meting the staff and talking with the management. I had met Dean Dalton previously at a PRPD in San Antonio, and he knew my friend Joyce DiDonato when she was at Houston Opera.

Talking on the phone for the interview, we also had a good friend Andy Trudeau in common, when I worked at National Public Radio.

The day was long, flying out of Baltimore direct to Houston (see John on the plane upper right hand corner). A limo picked me up and took me to the University of Houston (John in the limo, pictured left). Unfortunately I didn't get a chance to see my old professor Andrzej Grabiec who teaches there, but I did get to see the studios and hear a taping for an upcoming Christmas show (including the Revels!) [The Irish Tenors taped for a show that day as well, seen below left]

A lunch followed with the key players. Afterwards a few more questions and it was back to the airport.

They selected St. John Smyth for the gig, which probably bodes well for them and me. As it turns out, I had much more to offer other stations, as you'll read in the next few days. [Cool radio scultpure, they call "The Head" at KUHF's studios, pictured below right]